Happy Year of the Snake! Had dinner with family and friends at my aunt’s house last night, and we ended up going in a circle around the table introducing ourselves, then each sharing one fear and one aspiration. (Yes, this happened.)
Found out that my cousin sees herself as pretty conservative; she has a fear of taking risks, because she’s a perfectionist and she wants to be able to control things. Her brother has a fear of not living life to the fullest, so he actively tries to make the most of every day. And it all comes from the same place — wanting to succeed and fearing failure, and wanting to embrace possibility. The fear I shared was being held back by fear (a meta-fear, as it were) — I’m afraid of letting fear win and not experiencing new things.
Over the past few years, I have pushed myself to embrace failure, to see that not being good at something isn’t really that scary. Sometimes, you just have to do things that are terrifying. Important life skill. Every time I go on stage, I’m scared. And every time I finish a set, I get to have that moment right after when I realize that I’m still alive. And everything is going to be OK.
I did a few shows this week. Performed “native tongue” for my co-workers at our all-staff meeting, and I started by saying, “Wow, I didn’t realize I was going to be this nervous.” After, our CFO’s wife, who was facilitating a training on self-care for that meeting, thanked us (other co-worker covered a Taylor Swift song) for sharing something and being vulnerable. And then later that day, I got to hear from co-workers who connected with the piece and have gone through similar experiences.
Thursday night was [common ground], and I performed “23.” I knew it was going to be difficult; it has taken me weeks to get it to a point where it felt done. But a few other queer artists went before me, and then we had the Partnership of LGBT Organizations speaking about being excluded from Santa Ana’s Tet parade. I ended up revising my set right before I went on to include more love poems. It felt right, and it was what I wanted to share with the audience.
Saturday, we held a mini-TNC for students from the Claremont Colleges who were taking a day-long tour of Little Tokyo to talk about art and activism in our communities. The staff shared about our relationships to the space, and also our views on art. I said something along the lines of seeing poetry as a way to move beyond academic writing and to find a way to be more honest with myself. And I write love poems because I want to share a celebratory view of the queer experience. I want to celebrate love and being able to live fully, more honestly.
This feels like it’s going to be a good year. Thank you to all of the organizers and audiences who are providing spaces for people to share and heal. Here’s to a year of being honest, embracing love, and striving to take risks and push past fear. Gong xi fa cai, friends.